André Hemer (born 1981, New Zealand) is a painter whose work explores the intersections between digital media and painting. He received his PhD in Painting from Sydney College of the Arts, University of Sydney, Australia and his MA from the Royal College of Art, London. His works embrace and reveal the transformations and transactions occurring between the contemporary digital image and the traditional painted object. He has exhibited widely and is represented internationally in Australia by Tristian Koenig Gallery, Melbourne and in New Zealand by Gow Langsford Gallery, Auckland and Bartley and Company, Wellington. Hemer also works with Public Delivery in Seoul on public projects, an initiative curated by Martin Schulze. Recent solo exhibitions include Deep Surfacing at Luis De Jesus Gallery, Los Angeles (2016), New Representation, Chalk Horse Gallery, Sydney (2015), New Representation Part II, Bartley and Company, Wellington (2015), while group shows include André Hemer - Paintings 2005-2015, Pataka Art + Museum, Porirua City (2015), A Hot Mess at Fatiha Selam, Paris (2015), Metarealism, Palmer Art Projects, Sydney (2015), 100 Painters of Tomorrow, Beers Contemporary, London (2014), and Critical Intent, curated by Gary Sangster and Fan Lin, Guangzhou Art Center, Guangzhou (2014). Hemer is currently based in Vienna, Austria.