Solo exhibitions include (Upcoming) Glide Through Evanescent Lands, Kristin Hjellegjerde Gallery, Berlin,  Germany (2023); When Hope Smells Like Petichor, Kristin Hjellegjerde Gallery, London, UK (2022); Galerie GVCC, Casablanca, Morocco (2021); Untold Stories at Galerie Siniya in Marrakech, Morocco (2019); Because these wings can no longer fly, an artistic project with Arts Cabinet in London, UK (2019); Un Oeil Ouvert sur le Monde Arabe, a collaboration with FFCreative Paris, for “La Nuit Blanche” at L’Institut du Monde Arabe, Paris, France (2018); Casa Arabe, Madrid, Spain (2018); Collaboration with Alex Hammersly and Hollandridge Group, London, UK ( 2018); Taghazout Bay, Agadir, Morocco (2016).

Group exhibitions include Contemporary dilemmas: Eternal displacements, RoFa Projects, Maryland, USA (2023);  Art Dubai, with Kristin Hjellegjerde Gallery, Dubai, UAE,  (2023); Don't Ask Me Where I'm From, Orlando Museum of ArtRe-composing in partnership with Fondazione Imago Mundi and the Aga Khan Museum , Orlando, USA  (2022);  The 369 Art Gallery, Palazzo Bembo, Venice, Italy (2022); Art Dubai, Kristin Hjellegjerde Gallery, Dubai, United Arab Emirates (2022); Facing the Sun, Kristin Hjellegjerde Gallery, Schloss Görne, Germany (2021); Galerie Géraldine zberro, Paris, France (2021); Thinking Out Loud, Pulpo Gallery Murnau am Staffelsee, Germany (2021); Musee de la Kasbah, Tangier, Morocco (2021); Rofa Projects, Potomac, Maryland, USA (2020); Don’t Ask Me Where I’m From, Aga Kahn Museum, Toronto, Canada (2020); Galleria delle Prigioni, Luciano Benetton Foundation, Treviso, Italy (2019); Hybrid Migrant, a touring exhibition with the Agha Kahn Museum and Imago Mundi, Luciano Benetton’s Global Art project, Treviso, Toronto, Vancouver, Houston, Dallas, Paris, London, Lisbon and Dubai (2019-2020); Wondrous Worlds, Galerie Michael Haas, Berlin, Germany(2019), Oeuvres et Recherches, GVCC, Casablanca, Morocco (2018), Galerie 21, Geneva, Switzerland (2018);Black Sphinx II, Primae Noctis Gallery, Lugano, Switzerland (2018),  La Sfinge Nera II, Primo Marella Gallery, Milan, Italy(2018), Mercedes Roldan, Madrid, Spain (2017), Merchant of Dreams, Viborg Kunsthal, Denmark (2016); Musée Mohammed VI d’Art Contemporain, Rabat, Morocco (2015); Femmes et Religion, Bibliothèque Nationale du Royaume du Maroc (2015).

Another recurring motif are pieces of gold that form a trail in the sky, drawing the eye into the distance. In all of Terjuman’s paintings gold makes reference to El Dorado, the legend of a golden city that has bewitched people for centuries with its promise of imaginable riches. However, she explores El Dorado not as a place or hopeless quest for material wealth, but as a state of mind that enables positive thinking. In Drifting Destinies VI, for example, one of the darker, more melancholic scenes, which depicts a cream sofa on the edge of boggy wasteland, the gold provides both a light source and a pathway to something beyond the present moment.