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Gabriela Giroletti
Inevitable Orbits -
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Group exhibitions include Folded Lines, The Black Room Gallery, Kuala Lumpur (2024) Pacific Breeze, White Conduit Projects, London, UK (2023); Seeing Remains, Oceans Apart Gallery, Manchester, UK (2023); Tic Tac Toe, Apt Gallery, London, UK (2023); BRR-ARB, Curated by Ana Teles and Luis Sandes, Triangel Gallery, Chelsea Collge of Arts, London (2022); Improv, APT Gallery, London (2022); The Greenness of the Green Fields Supernal, duo show with Henry Tyrrell, Lewisham Art House, London (2022); AORA Pop-Up, London (2021); Julie’s Bob, Terrace Gallery, London (2021); RA Summer Exhibition, Royal Academy of Arts, London (2021); Facing the Sun, Kristin Hjellegjerde Gallery, Schloss Göerne, Germany (2021); Friends with Benefits, Safe House One, London (2021); Spiral Drift, Terrace Gallery, London - curated by Frank Minoprio (2021); The Echo System, Thames Side Studios Gallery, London - curated by Milda Batakyte (2021); AORA Pop-Up, Ohsh Projects, London (2021); Wabi-Sabi, Kristin Hjellegjerde Gallery, London, UK (2021); London Now, Space K, Gwacheon, South Korea (2020); Bloomberg New Contemporaries, South London Gallery, London (2020); Catamaran, Thames Side Studios Gallery (2019), Hix Award, Hix Art Gallery, (2019); Bloomberg New Contemporaries, Leeds Art Gallery, London (2019); Tate Staff Biennale, Tate Modern, London (2019); Of Course, I Haven’t Forgotten!, Artists.Space, London (2019); FBA Futures, Mall Galleries, London (2019); Elephant x Griffin Art Prize, Elephant West, London (2018); Young Contemporary Talent Purchase Prize, Cello Factory, London (2018); among more.Highlights and CollectionsIn 2021 Gabriela Giroletti was a recipient of the Eaton Project grant. In addition, Giroletti has been awarded several other prestigious awards including the Freelands Foundation Emergency grant and the Unit 1 Gallery Workshop grant in 2020. Giroletti is also a 2019 Bloomberg New Contemporaries artist and was shortlisted for the Hix Award that same year. In 2018, Giroletti received the Desiree Painting Prize and was also the runner up for the Chadwell Award as well as was shortlisted for the Elephant x Griffin Prize and the Young Contemporary Talent Purchase Prize by the Ingram Collection of Modern British Art. Giroletti's artworks are also included in many collections such as the Jasteka Foundation collection.
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This interest in the boundaries or the lack of them, the points at which things meet, intermingle, gain form or collapse into shapelessness is central to Giroletti’s practice. This is perhaps most apparent in the painting Old Moons. Inside a black, roughly defined rectangular shape, forms tumble over and around each other, creating the impression of a churning, unstable surface, clouds of smoke, bodily innards. Beyond this is a yellow border that grows in intensity up to and around the edges of the canvas and deep red teardrop shapes – sculptural objects attached to the stretcher bar – that appear as if they have been produced by the inner tumult or some kind of building pressure. Elsewhere, as in Seas of Skies or Plateau, it is the boundaries themselves that extend the painted surface, creating little mounds that are almost creature-like in their tactility. These added elements as well as the texture of the paint itself invite us to engage with the paintings in a different way, to see them not just as images, but as objects that we can relate to and understand through their relationship to our bodies.This journey from the body into the sky or more broadly, nature and back to the body is what Giroletti describes as an ‘inevitable orbit’, it is how we come to understand the world around us and our place within it. It is a term that describes, like her work, the interconnectedness of all things, the pulse of life.
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Gabriela Giroletti, Cloudburst, 2024
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Gabriela Giroletti, Notifications from the Sun, 2024
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Gabriela Giroletti, Moonlanding, 2024
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Gabriela Giroletti, Old Hours, 2024
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Gabriela Giroletti : Inevitable Orbits
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