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Audun Alvestad - Inadequate, just inadequate
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Enquire
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Audun Alvestad, I couldn't get myself to sleep last night, 2020
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Audun Alvestad, I have to tell you, it doesn't look too good, 2020
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Audun Alvestad, I don't know about you, but Im feeling 22, 2020
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Audun Alvestad, I had a plan, but I forgot it completely, 2020
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Audun Alvestad, I won't wake you up, I won't let you down, 2020
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Audun Alvestad, I just want to dance with somebody, 2020
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Audun Alvestad, It was a musical thing, and you were supposed to dance, 2020
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Audun Alvestad, A pleasant feeling of nausea, 2020
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Audun Alvestad, I promise, we're just friends, 2020
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Audun Alvestad, It's all a matter of soul and fire, 2020
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Audun Alvestad, Loneliness, I've known you for a long time, 2020
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Audun Alvestad, The pain of rejection, 2020
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He may not paint them, but Alvestad’s paintings are filled with shadows, conjured through dynamic composition, movement, colour and the subtle use of narrative suspense. He mixes his paints directly on the canvas, blending the forms and colours to create a sculptural effect, but deliberately flattened. In comparison to his previous works, the figures here seem painfully aware of their predicament, conscious of scrutiny but still unsure of how to behave. Alvestad has fun with the still-life elements in these paintings – providing narrative clues in the form of skateboards, plants, books and discarded clothes – but keeps the number of objects in his interiors to a minimum. Locked-down in their small, relatively spartan apartment, a couple are forced to rely on their own inner resources. The emphasis Alvestad places on the wide areas of ‘negative space’ reinforces the sense that these are moments of performative calm – of insincere intimacy – which precede calamity.
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Alvestad’s paintings – the tenderness with which he evokes his figures – provoke a protective response in the viewer, an urge to impose order on their unsettled mood, to look for reasons to hope the calamity might be avoided or – hopelessly – to anticipate what form it might take. Alvestad’s protagonists might be inadequate, but that only makes us worry for them more. None seem eager to lose what they have and yet they teeter precariously on the edge. If they’re not careful – more careful, we suspect, than they know how to be – the abyss will soon claim them.
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Audun Alvestad
Past viewing_room