Wawi Navarroza was born in 1979 in Manila, Philippines where she currently lives and works. In 2002, Navarroza graduated with a BA in Communication Arts, with honours from De La Salle University, Manila, Philippines and in 2009 attended International Center of Photography in New York. In 2012 she completed her scholarship for the Eauropean Master of Fine Art Photography programme at the Istituto Europeo di Design-Madrid, Spain. Wawi Navarroza creates works across a wide range of media, but is primarily known for her use of photography in her art practice. The artist creates highly stylised photographs in which she investigates displacements, disorientation and discovery, reflecting on the exploration of a deeper sense of place and identity. Navarroza was awarded Kuala Lumpur International Photography Awards in 2018 and has widely exhibited her works in solo and group shows globally. Her solo exhibitions include Self-Portraits & The Tropical Gothic, Silverlens Galleries, Manila (2019); Medusa, Silverlens Galleries, Manila (2017); On Landscape & Some Dislocations, Galería Patrick Domken, Cadaqués, Spain (2012); When All Is Said And Done, Artesan Gallery, Singapore (2008); Saturnine: A Collection of Portraits, Creatures, Glass & Shadow, Silverlens, Manila / McDermott Gallery, Siem Reap, Cambodia / ArtReflex Gallery, Saint-Petersburg, Russia (2007); Polysaccharide: The Dollhouse Drama, Blacksoup Project Artspace, Manila / Ateneo Art Gallery, Manila / La Trobe University, Bendigo, Australia (2005). Selected group exhibitions include (Upcoming) Tonight The Air Is Warm, Kristin Hjellegjerde Gallery, London (2021); (Upcoming), SF Camerawork, San Francisco (2021); (Upcoming) Viva La Frida!, Drents Museum, Netherlands (2021); Anticipating the Day, Silverlens, Manila (2020); Taboo, Vinyl on Vinyl, Makati (2019); Not Visual Noise: Philippine Photography, Ateneo Art Gallery at Areté, Quezon City (2019); ART|JOG|11 Enlightenment, Yogyakarta National Museum, Jogjakarta, Indonesia (2018); Artists’ Books for Everything, Weserburg Museum of Modern Art, Bremen, Germany (2017); Roundabout: Wawi Navarroza, Mark Valenzuela, Riel Hilario, Adelaide Central Gallery, Australia (2016); Surface Tension: Perspective on the Changing Landscape, Alliance Française de Manille for COP:21 Paris (2015); Still Moving: After Image, South-East Asian contemporary photography survey show, Singapore Art Museum 8Q, Singapore (2014) and The Hope & The Dream in Filipino: Contemporary Photography from the Philippines, The Month of Photography Tokyo 2012, presented by The Photographic Society of Japan and Tokyo Museum of Photography, Tokyo, Japan (2012).