Anne Vieux is a New York-based artist, born in 1985 in Michigan, USA. In 2009, Vieux graduated with BFA in Painting and a BA in Art History from the Kansas City Art Institute, USA. Later she continued her studies in art and in 2012 graduated with a MFA in Painting from the Cranbrook Academy of Art, USA. Vieux’s practice explores digital recreation of material surfaces, optics of the computer screen and the role of light in abstraction, blurring the distinction between the physical and the digital realms, analogue and digital forms of image production. Anne Vieux’s solo exhibitions include Tennis Elbow, The Journal Gallery, New York, USA (2021); The Window, The Journal Gallery, New York, USA (2020); Immaterial, County Gallery, Palm Beach, USA (2019); Command Field, The Hole Gallery, New York, USA (2018); Mesh, Annka Kultys Gallery, London, UK (2017); Same Window, Different Day, Good Weather Gallery, Little Rock, USA (2016); Through The Plane, Stream Gallery, Brooklyn, New York, USA (2015). In addition, Anne Vieux has participated in group exhibitions worldwide which include upcoming Andre Hemer and Anne Vieux, Kristin Hjellegjerde Gallery, London, UK (2021); Zwang, C. G. Boerner, New York, USA (2020); American Woman, Allouche Benias Gallery, Athens, Greece (2020); The Mushroom Show, Sardine Gallery, Brooklyn, New York, USA (2019); Flat Out, Works on Paper from 2000-2019, Mana Contemporary, Jersey City, USA (2019); Highlight Gramercy, National Arts Club, New York, USA (2019); A Space For Thought, Brand New Gallery, Milan, Italy (2017); Unfamiliar again, Newcomb Art Museum, New Orleans, USA (2017); Analogue Watch, Ces Gallery, Los Angeles, California, USA (2016). Anne Vieux’s works form part of prominent private and public collections such as Facebook Corporate Collection, Moma Library Collection and the Met Library Collection.