Martine Poppe (b. 1988, Norway) lives and works in London. She graduated from the Slade School of Fine Art BA and MFA in 2011 and 2013 respectively. Poppe's works combine photography with painting; she obscures the relationships between the two by layering her photographs with transculent layers of paint. The result is a feathery effect which relies heavily on the influence of light. Poppe recent solo shows include Portraits of Trees at Trafo Kunsthall, Asker, Norway (2018), Aphrodite lowers her mirror, Kristin Hjellegjerde (2018), CCA Andratx residency, Majorca (2017), Art Brussels, Kristin Hjellegjerde (2017), Untitled San Francisco (2017), Crinkled Escape Routes and Other Somewhat Flat Things, Kristin Hjellegjerde (2016), Volta 12, Kristin Hjellegjerde (2016), 50% Grå at Trafo Kunsthall, Norway (2015). Poppe has also recently shown in the group exhibitions Imago Mundi, Benetton Collection (2018), Liste, VI, VII , Basel (2018), Between the Lines, Kvinnemuseet/ The Women's Museum. Kongsvinger, Norway (2018), Art Brussels, Kristin Hjellegjerde (2018), The Other Side, curated by Paul Carey-Kent for House of St. Barnabas, London (2017), Curated Contemporary, Sotheby's (2017), The Rema Hort Mann Foundation’s annual charity auction at Nicodim Gallery in LA (2017), and VOLTA 13 and 12 (Basel, 2016 and 2017) with Kristin Hjellegjerde,  Sunset© Hooper Projects, LA (2015) and New Order II: British Art Today, Saatchi Gallery, London (2014). Poppe’s works can be found in the Saatchi Collection, KODE Art Museums, NRK, University College London, Oxford University, House of St. Barnabas and Benetton among others.