Caroline Jane Harris (b. 1987, UK) lives and works in London. Harris received her BA (Hons) Fine Art Printmaking from the University of Brighton in 2009, followed by her MA (Distinction) from City and Guilds of London Art School in 2015, where she was awarded the Norman Ackroyd Prize for Etching and the Roger de Grey Drawing Prize. She was subsequently invited to stay on as Research Printmaking Fellow at the same school (2016–18). Harris creates meticulous hybrid artworks that traverse time, dimension and materiality. Central to each work, is a digital photograph that has been precisely cut-out by hand, translating immaterial image into lived experience for both artist and viewer in each iteration of Harris’ evolving applied processes. In 2016–17 she was a selected artist in residence at the Florence Trust, London and awarded a solo show, A Bright Haunting, at ASC gallery and Fellow Show, City & Guilds of London Art School, London both in 2018. Recent solo shows include A Three-Dimensional Sky, Kristin Hjellegjerde Gallery, London (2019); A Bright Haunting, ASC Gallery, London (2018); Anatomy of the Arboreal, Scream Gallery, London (2014); and Lifelines, The Muse Gallery, London (2011). Selected group shows include Enter Art Fair, with Kristin Hjellegjerde Gallery, Copenhagen, Denmark (2019); Piecemeals, Curated by Chloe Stavrou, Eccleston Project Space, London (2019); Creekside Open, Selected by Sacha Craddock, A.P.T. Gallery, London (2019); Art Dubai, Kristin Hjellegjerde Gallery, Dubai (2019);The Metallurgical Ouroboros, Curated by Samuel Capps, Gossamer Fog, London (2018); Slow Seeing/Slow Data, MA Graduates, Artists in Residence and Fellows Show, City & Guilds of London Art School, London (2018); Made in Brixton - After Dark, Selected by Anna Sparham in collaboration with the Museum of London, Photofusion, London (2018). Harris has been featured in publications such as Trebuchet Magazine, Art Maze Mag, Red magazine and Paper Play (Sandu Cultural Media 2014).