Caroline Jane Harris received her BA (Hons) Fine Art Printmaking from the University of Brighton in 2009, followed by her MA (Distinction) from City and Guilds of London Art School in 2015, where she was awarded the Norman Ackroyd Prize for Etching and the Roger de Grey Drawing Prize. She was subsequently invited to stay on as Research Printmaking Fellow at the same school (2016–18). Harris creates meticulous hybrid artworks that traverse time, dimension and materiality. Central to each work, is a digital photograph that has been precisely cut-out by hand, translating immaterial image into lived experience for both artist and viewer in each iteration of Harris’ evolving applied processes. In 2016–17 she was a selected artist in residence at the Florence Trust, London and awarded a solo show, A Bright Haunting, at ASC gallery and Fellow Show, City & Guilds of London Art School, London both in 2018. She has exhibited widely throughout the UK and internationally, including The Metallurgical Ouroboros, Curated by Samuel Capps, Gossamer Fog, London (2018), Made in Brixton - After Dark, Selected by Anna Sparham in collaboration with the Museum of London, Photofusion, London (2018), Exceptional: Graduate Art Award, Collyer Bristow, London (2017), Perfectionism III: The Alchemy of Making, Griffin Gallery, London (2016), Royal Academy Summer Exhibition, Royal Academy, London (2016), SELECT/16 (award), Photofusion, London (2016). Harris has been featured in publications such as Trebuchet Magazine, Art Maze Mag, Red magazine and Paper Play (Sandu Cultural Media 2014).