Solo exhibitions include (Upcoming) Kristin Hjellegjerde Gallery, Palm Beach, USA (2024); (Upcoming) Kristin Hjellegjerde Gallery, London, UK (2023); Constellations of Being, ISA, Jakarta (2022); On Being Blue; Kristin Hjellegjerde Gallery, Nevlunghavn (2022); Birds of Paradise, Kristin Hjellegjerde Gallery, Berlin (2021); Modern Times, Kristin Hjellegjerde Gallery, London (2020); Your Private Sky, Kristin Hjellegjerde Gallery, London (2018); A house in Bali, Isa Art Advisory, Jakarta (2017); A Romance of Many Dimensions, Pearl Lam Gallery, SOHO Hong Kong (2016) and Fantastic Chromatic, Kristin Hjellegjerde Gallery (2015) Essence of a Thing, House of St. Barnabas, London (205); Nick Hornby & Sinta Tantra , Choi and Lager Gallery, Cologne (2015); Dynamic, Maximum, Tension, Liverpool (2011); Politics of Seduction, Stanley Picker Gallery, Kingston University, London (2010); Arsenic Fantasy, Gaya Fusion Gallery, Bali (2010); Real Phoney, Monika Bobinska Gallery, London (2009).
Group exhibitions include (Upcoming) Woman Group Show, ISA Gallery, Jakarta (2023); (Upcoming) Taru Bingin, ISA Gallery, Jakarta (2023); (Upcoming) Art Singapore, Singapore (2023); A New Paradise, Saatchi Gallery, London (2022); Small is Beautiful: 40th Edition, Flowers Gallery London (2022); Reverberation, ISA, Jakarta (2022); Facing the Sun, Kristin Hjellegjerde Gallery, Schloss Görne, Germany (2021); Buah Tangan, ISA, Jakarta (2020); Super Flatland, White Conduit Projects, London (202); On the Nature of Botanical Gardens, Framer Framed, Amsterdam (2020); Reinventing Eve, Isa, Jakarta (2019); Y: Collect 3.0, Ruci Art Space, Jakarta; Woven & Illuminated (2019); Strangers in Town und Art Dubai, with Kristin Hjellegjerde Gallery, Dubai (2019); Reflections, Puerta Roja Gallery, Hong Kong (2018); Karachi Biennial, Pakistan (2019); Always Bright, Ambiente Indonesia via Isa Art Advisory, Jakarta (2018), Small is Beautiful, Flowers Gallery, London (2018); London Graphic, Thameside Studios, London (2018); Absorption as a way of Seeing, Pearl Lam Gallery, Hong Kong (2018); Elysian Fields: Sinta Tantra & Haffendi Anuar, Richard Koh Gallery, Kuala Lumpur (2018); Hornby Tantra, Works III, Broadgate, London (2018);Tetap Terang / Always Bright, ISA Gallery, Jakarta (2018); Voyage to Indonesia, The World Bank, Washington DC (2018); Empirical Atlas, Pearl Lam Gallery, Singapore (2017), High Noon, Accademia Belle Arti di Rome, Rome (2017), Quotidian, Pearl Lam Gallery, Shanghai (2017); Acts of Transgression, Pearl Lam Gallery, Singapore (2017); High Non, Acamdmeia Belle Art di Roma, Rome (2017); Summer Mostra, The British School at Rome, Rome (2017); Identify Your Limitations, Acknowledge your Periphery, Vitrine Gallery, Basel (2017);, Quotidian, Pearl Lam Gallery, Shanghai (2017); I Lost my Heart to a Spaceship Trooper, Griffin Gallery, London (2017); Spring Mostra, The British School at Rome, Rome (2017), Lost and Found: Place, Space; Identity, the World Trade Centre, Jakarta (2016); Painting Now, Riccado Crespi Gallery, Milan (2016); Infinity in FluxART, Jog, 8 Yogakarta (2015); Nick Hornby & Sinta Tantra: Collaborative Works, Choi and Lager Gallery, Cologne (2015); What You See Is What You See, Sinta Tantra and Carsten Fock, Kristin Hjellegjerde Gallery, London (2014); Gatekeeper, William Holman Gallery, New York (2014); Indonesian Contemporary Art and Design, Grand Kemang Hotel, Jakarta (2013); The Fine Line, Identity Gallery, Hong Kong (2013); Nick Horby & Sinta Tantra: Collaborative Works, Canary Wharf, London (2013); Confined, NEST Gallery, The Hague (2012); Present Perfect, Nothing Works, Shoreditch Town Hall, London (2009); Gatti, The Canal Museum, London (2008); Picante, Deutsche Bank; London (2007); Twelve to One, curated by Ann Elliott, Canary Wharf, London (2006);); Salon de Freehand, Seventh Gallery, Melbourne (2005); boo Hoo Hoo! I’m between a Laugh and a Cry, Ada Street Gallery, London (2005);
Highlights and collections
Sinta Tantra’s artworks can be found in international private and public collections, including Government Art Collection UK; Karachi Biennale; Benetton Collection; Folkestone Triennial, Canary Wharf; Museum MACAN, Indonesia
Tantra is a recipient of many awards including the Bridget Riley Drawing Fellow at The British School at Rome (2017); Shortlisted for the Jerwood Contemporary Painting Prize (2015); British Council’s International Development Award (2014); First Prize, Painting and Decorating Industry Award (2012);The Royal British Society of Sculptors AHRBS (2012);Shortlisted for the Jerwood Contemporary Painting Prize (2010); British Council Grant (2009); Courvoisir ‘The Future 500’ in partnership with The Observer Newspaper (2009); Arts Council England (2007); and Deutsche Bank Award (2006), The Gordon Luton Award, The Worship Compnay Painters Stainers Trust (2006); Michael Moser Award (2005); Paul Smith Scholarship at the Royal Academy of Arts (2003-2006) and the Henry Moore Sculoture Fund (2002). In 2018 she received an artist residency at the Stoneleaf Retreat, New York (2018).
Public commissions include: Sunset Ombre, Mega Kunigan, Jakarta (2022); Pink Moon Rising, Seolhaewon, Gangwon-Do (2021); Temple of Flora, Ocean Flower Island, Hainan (2021); Illuminated, 22 Bishopsgate, London commissioned by Contemporary Art Society (2021); The Grand Tour, Dulwich Picture Gallery, London (2020); The Crossing Mount Daemo, The H Honor Hills, Seoul commissioned by Hyundai (2021); Poins Square, Jakarta (2020); Horizon to Horizon, Sharjah Islamic Arts Festival, Sharjah (2019); Bright Dawn, Karachi Biennale, Karachi (2019); Compose Motions und Tasted Flight, Honer Hills, Seoul (2019); Sunset in Tanah Lot, Facebook, London (2018); Collaboration with Nick Hornby, Broadgate sites, London (2018); In the Mood for Love, Lee Tung Avenue, Hong Kong (2018); Paintworks, commissioned by Folkestone Triennial, Folkestone (2018); 147, Folkestone Triennial, Folkestone (2017); Pailo Drappallone, Commune di Siena (2017); Diamond Minutes, Hana Bank, Incheon, Korea (2017); The Sound of Colour, St. Paul’s Way Medical Centre, London (2017); A Union in Partition, private commission, London (2016); A Means of Liberation, Newnham College, Cambridge University (2016); Songdo, Songdo, South Korea (2015); Sensory Garden, Bristol Royal Infirmary Hospital, Bristol (2015); The Eccentricity of Zero, Royal British Society Sculptors, London (2015); Greater Reality of Elsewhere, Locwus International, Swansea (2015); The Eccentricity of Zero, Royal British Society of Sculptors, Holland Park (2013); Together Yet Forever Apart, Liverpool Biennial (2012); A beautiful Sunset Mistaken For a Dawn, Canary Wharf, London (2012); and A Good Time and a Half!, Southbank Centre (2007). Neon Tetra, CreateKX, Camley Street Natural Park, London (2007); Isokon Dreams, London Borough of Camden, Regents Park, Bridge, London (2007); Line Up, Platfrom Art Piccadily Tube Station, London (2007); Emporia, London Fashion Week’s On; Off 6 Burlington Gardens, London (2006); Party Sunrise, Christchurch University Canterbury (2006); Tantra’s most notable public work includes a 300-metre long painted bridge commissioned for the 2012 Olympics, Canary Wharf, London.