Rebecca Brodskis (b. 1988 in France) lives and works in Paris. She spent most of her childhood travelling and living between France and Morocco. Brodskis studied painting at the Ateliers des Beaux Arts de la Ville de Paris and at Central St. Martins College of Art and Design in London, graduating in 2010. In 2015, she also completed a Master’s degree in Sociology, focusing her research on the themes of vulnerabilities and social crisis. Exploring the borders of the sensible world, Brodskis’ work evolves between conscious and unconscious spaces, leading to a reflection on the existence, the self and the otherness. The idea of being in an in-between is very prominent in Brodskis work, this intermediate space at the cross-roads of empirical reality and imagination, order and disorder, materialism and spirituality, determinism and freedom.
Solo exhibitions include Arrêt Sur Image, Kristin Hjellegjerde Gallery, London (2021); Tomorrow Is Another Day, Steve Turner LA (2020); Fragments of Life, Kristin Hjellegjerde Gallery, Berlin (2020); Galeriste with Hors Cadre, Paris (2019); Septième Galerie, Paris (2019); Unsettled disorders, Canopy Gallery, Netanya (2019); Dépendance, Gallery Mario Kreuzberg, Berlin (2019) and Drifting Singularities, Sputnik Gallery, Tel Aviv (2017).
Group exhibitions include All the Days and Nights, Kristin Hjellegjerde Gallery, London (2020); Constellations, Galerie du 6b- St-Denis, France (2019); Where we once were, Yngspc (2019); Interférence, Le Studio, Paris (2018); Five French artists, Primitive Showroom, Tel Aviv (2017); Human factor, Ori art space, Berlin (2016) and Disfiguring, figuring the unfigurable Kelenföldi Erömü, Budapest (2015).
Highlights and Collections
Her work is held in important private and public collections which include Alan Lo Collection (Hong Kong); Museum Azman Collection (Malaysia); Pamela and David Hornik Collection (USA); Selebe Yoon Collection (Senegal); The Beth Rudin Dewoody Collection (USA); Tiroche DeLeon Collection (Israel); Zeifang Collection (Germany).